Exhibition Catalogues

Walsh image catalogue

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This exhibition and catalogue bring together the concerted practical efforts of two philosophers, John Slater and Michael Walsh. In this exhibition, members of the public can see and reflect on the fruits of latter days and the busiest century of philosophical speculation. This exhibition is also a tribute to the bibliophilical exertions of two of the Fisher Library’s most important donors.

ISBN 978-0-7727-6064-7, 147 pages, $20.00 | Ref. #7042
Alice in wonderland for exhibit catalogue

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Due to popular demand this catalogue is sold out
All in the golden afternoon celebrates the Library's acquisition several years ago of the Joseph Brabant Collection of Lewis Carroll and Charles L. Dodgson. The exhibition and catalogue, a collaboration between Richard Landon, and Alice Moore, one of his students, concentrates on the special strength of the Brabant Collection, its magnificent run of editions of the Alice books from 1865 until almost the end of the twentieth century. Also shown are some of the rare Dodgson material. The exhibition is arranged under seven headings: The Collector and His Collection; Mr. Dodgson and Lewis Carroll; C.L. Dodgson as Correspondent; C.L. Dodgson as Photographer; The Artists and Alice; The Hunting of the Snark and Other Poems; C.L. Dodgson as Artist; and The Works of C.L. Dodgson.

ISBN 0772760314, 108 pages, $30.00 | Ref. #7009
Ars medica catalogue

This catalogue is available exclusively through Oak Knoll Books (click on link to order)

This exhibition commemorates the seventieth anniversary of the founding of Associated Medical Services which has done much to promote the study of the history of medicine at the University of Toronto, and was instrumental in acquiring the Jason A. Hannah Collection in the History of Medicine for the Fisher Library. Books exhibited include some stunning anatomical atlases, important medical landmarks, such as the first editions of Andreas Vesalius (1543) and Edward Jenner (1798), and other lesser known books with illustrations.

ISBN 077276056X 68 pages; $30.00 | Ref. #7035
Art on the wing catalogue image

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This exhibition, curated by Joan Winearls, examines the changing styles and techniques in bird art over the last three centuries, beginning with etching and engraving, wood-engraving and lithography, and the hand-colouring of illustrations, followed by chromolithography and experiments in colour printing, up to the photo- reproduction techniques employed after the middle of this century. On display are such works as Gould's hummingbirds, Lear's toucans, Wolf's falcons and Audubon's warblers along with twentieth century works such as Fuertes' hawk, Brooks' and Shortt's ducks and Peterson's first field guide.

ISBN 0772760292, 80 pages, $20.00 | Ref. #7022
Haggadah from As it is Written exhibition catalogue

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The Fisher Library's Judaica holdings span over 1000 years. This exhibition features items that were produced every century from the 10th to the 21st, including biblical manuscripts, works of Jewish law and liturgy, incunabula, rare Constantinople imprints, and much more. Highlights are the manuscript of the Zohar, which belonged to the famous false Messiah Shabbetai Tsevi, and a copy of Maimonides law code Mishneh Torah with Sabbatean markings. Another highlight is a facsimile of the Alba Bible, one of the most elaborate illuminated biblical manuscripts ever produced. The exhibition also features contemporary works by Jewish and Israeli artists and bookmakers.  A section devoted to Canadiana features one the earliest Canadian imprints, dating from 1752 as well as the first English translation of the Hebrew prayerbook (1770), among whose sponsors were the Canadian merchant Aaron Hart and his wife.

This exhibition is curated by Barry Walfish.

ISBN 978-0-7727-6114-9 (pbk.), 96 pages | $25 | Ref. #7070
Missale Pragense

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As the Centuries Turn features a selection of manuscripts and printed books from the collections of the Fisher Library, exhibiting the book as it has appeared over the centenaries of the past thousand years. Beginning with a large and much worn Hebrew manuscript of the Pentateuch dating from approximately 1000, the exhibition goes on to other manuscripts of the next 300 years, including such splendid illuminated manuscripts as the Missale Pragense, produced between 1400 and 1410 in Bohemia. Early printed works include a 1498 Bible, with woodcut illustrations and initials, and a 1499 illustrated edition of Terence's Comoediae. Printed books from 1600, 1700, and 1800 include works of science, exploration, and literature. Canadian works are represented in both 1800 and 1900, including such evocative items as the McTavish, Frobisher and Co. fur trade agreement of 1800, and photographs of Dawson City at the turn of the twentieth century. The exhibition and catalogue have been a collaboration involving many of the staff of the Fisher Library.

ISBN 0772760322, 68 pages, $10.00 | Ref. #7023
Image for Aviation exhibition

This catalogue is available exclusively through Oak Knoll Books (click on link to order)

Canada's Great War aviators are famous for being gallant fighter pilots. Their legacy derives as much from their skills as airmen as their victory scores. Whether because of Canada's harsh climate, its clean air, or its sweeping wilderness, these airmen - men like Billy Bishop and William Barker - seemed destined to become 'aces'. The perpetuation of this narrative comes at the expense of less gallant, but more germane topics such as army co-operation, flight training, and post-war aviation. Yet, this static historical canon notwithstanding, Canadian museums, libraries, and archives possess an impressively broad array of sources that challenge these entrenched notions of Canada's first air war. This exhibit examines the origin of this material, the evolution of institutions responsible for its custody, and the ways that historians have navigated the topic - with or without the help of this diverse wealth of documents, artefacts, images and art.

This exhibition is curated by Jonathan Scotland and Edward Soye.

ISBN: 978-0-7727-6115-6 (paperback) | $20.00 | Ref #: 7071
Bibliophilia catalogue image

This catalogue is available exclusively through Oak Knoll Press (click on link to order)
This exhibition, mounted to mark the fiftieth anniversary of the Department of Rare Books and Special Collections, reveals something of the vast range and depth of holdings of the Thomas Fisher Rare Book Library at the University of Toronto. Divided into several sections, it features a variety of items from the library’s collections of early manuscripts and printed books, Shakespeareana, science and medical texts, Enlightenment materials, juvenile drama artifacts, Anglo-Irish literature, Canadiana, as well as the evocative artistic works of Thoreau MacDonald. In addition, the exhibition highlights the personal art of collecting as well as examples of the fine art of book binding. The exhibition and accompanying catalogue were prepared by the director of the Thomas Fisher Rare Book Library, Richard Landon.

ISBN 0772760551, 132 pages; $30.00 | Ref. #7033
Book history catalogue

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Due to popular demand this catalogue is sold out
This exhibition at the Thomas Fisher Rare Book Library was undertaken to commemorate the founding of the Collaborative Program in Book History and Print Culture, whose first classes began in September 2000. The items chosen, ranging from a 1789 B.C. Babylonian clay tablet to a manuscript of Margaret Atwood, from the collections of the Fisher Library and from the Library of Massey College, the home of the Collaborative Program, combine interesting and important titles with the many different methods used to convey their texts. The catalogue descriptions point out the physical details of each object providing the basis for an historical understanding of the book, and its role in cultural history. Prepared by a collaborative team of Sandra Alston, Anne Dondertman, Marie Korey, Richard Landon and Philip Oldfield, with contributions from Luba Frastacky, Edna Hajnal, and Jennifer Toews, the catalogue was edited by Marie Korey, Richard Landon and Philip Oldfield.

ISBN 0772760365, 99 pages, $20.00 | Ref. #7007
Calvin image catalogue

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As this exhibition demonstrates, John Calvin's life and legacy can be told through books. Books shaped him and his age, and in the end he and his followers used the medium of print to bring about one of the greatest revolutions the world has ever known. Of all of the sheets of print produced by individual writers in the period from 1541 to 1565, Calvin is responsible for an astonishing 42% of the total; even the Bible only accounts for 14% of total print output during this era. As this exhibit, prepared by Pearce J. Carefoote, demonstrates, Calvin enjoys the ignominious distinction of being simultaneously one of the most honoured and vilified figures in human history – largely because of the mass of print he left behind for others to interpret and expand upon.

112 pages, $20.00 | Ref. #7052
Canlit catalogue

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This summer exhibition features Canadian literary papers held by the Thomas Fisher Rare Book Library, including those of Margaret Atwood, Joy Fielding, Alberto Manguel and Erika Ritter. The display is divided into thematic groupings which trace the development of a text from the initial germ of an idea, to the various manuscript drafts and revisions, through the publication process, to the public reception of the work. The exhibition and accompanying catalogue were prepared by Anne Dondertman, Assistant Director of the Fisher Library.

ISBN 0-7727-6054-3, 16 pages, $5.00
Hollar image catalogue

This catalogue is available exclusively from Oak Knoll Books. (Click on link to order.)

The Fisher Library's outstanding collection of prints and book illustrations by printmaker Wenceslaus Hollar (1607-1677) is highlighted in this exhibit, curated by Anne Thackeray. Printmaking reached new technical and artistic levels in the seventeeth century, and Hollar was among its most admired practitioners. His exceptionally wide range of subject matter reflects the political and religious conflicts of his times, changes in book and print culture, and the expansion of European knowledge during his lifetime.

95 pages, $20.00 | Ref. #7054
Cover of Barbier exhibition catalogue

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This was the first major exhibition in North America on George Barbier, one of the great French illustrators of the early 20th century. It featured the extensive Toronto holdings of Barbier’s published illustrations drawn from the collections of the Library & Archives at the Royal Ontario Museum, Toronto Public Library Special Collections, and the George Grant Collection at the Fisher Library. The exhibition is curated by ROM librarian Arthur Smith, who became fascinated with Barbier pochoirs in the mid-1990s when he encountered a volume of Falbalas et fanfreluches while mounting a display of treasures from the ROM’s rare book collections.

ISBN 978-0-7727-6094-4; 64 pages, $20 | Ref. #7064
Sylvia Ptak image catalogue

Due to popular demand this catalogue is sold out
In "Commentary" Toronto-based artist Sylvia Ptak creates gauze ‘texts’ inspired by items from the Thomas Fisher Rare Book Library’s collection. Works in the exhibition explore the multiple meanings that texts generate. Ptak simulates script to create texts of indecipherable writing. The works are comprised of fabric ‘pages’ and interventions within texts from the library’s collection. The exhibition was prepared by Sylvia Ptak and the accompanying catalogue by Kyo Maclear and Sylvia Ptak.

ISBN 0-7727-6049-7, 24 pages
Cooper & Beatty image catalogue

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During its almost seventy years of existence, the firm of Cooper & Beatty had been prominent, first in Toronto and Ontario, and then during the 1950s and 1960s in the rest of Canada and the United States. The firm prided itself on its tradition of creative excellence; at one time or another, typography created by Cooper & Beatty craftsmen appeared in the print ads of every major advertiser in Canada. This exhibition, curated by Edna Hajnal and Richard Landon, and the heavily illustrated catalogue document some of the highlights of the firm's history, based on the records housed at the Thomas Fisher Library.

50 pages, $20.00
David Jones catalogue cover

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This centennial exhibiton, marking one hundred years of the birth of the artist, David Jones, was curated by Professor William Blissett and Alan Horne of the University of Toronto. According to Professor Blissett, David Jones belongs to a great tradition, that of the notable artist who is also a notable writer. Profusely illustrated with woodcuts, watercolours and paintings by Jones, the exhbition documents the artist's life and works with examples from the collections of the Fisher Library and Professor Blisset's own collection.

ISBN 0772760195, 56 pages, $10.00 | Ref. #7020
Early printing image from The Aliquando Press Book

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This exhibition explores some of the finest examples of the book-making craft since the year 2000, along with a quick nod of the small press’s past.  It draws upon the Fisher Library’s rich and extensive small and fine press holdings, and features examples from publishers spanning the entire country: from Mission, BC’s Barbarian Press to Gaspereau Press in Kentville, Nova Scotia. It highlights the "veterans" of the small press scene, including The Aliquando Press and Porcupine’s Quill, as well as artist books and illustrated works from some of this country’s leading practioners of the book arts. This exhibit is curated by the Fisher Library’s John Shoesmith.

ISBN 978-0-7727-6093-7; 48 pages, $15 | Ref. #7063
bookbinding catalogue

Catalogue is no longer available.
The best in contemporary British bookbinding was showcased in the travelling exhibition, Designer Bookbinders in North America. Featured was the work of twenty-four Fellows and Licentiates of Designer Bookbinders, Great Britain’s principal bookbinding society and one of the foremost in the world. The forty-seven bindings featured in the exhibition confirm the great diversity and high quality of contemporary British bookbinding. Literary inspiration ranges from The Four Gospels to Unity Universe, An A-Z by Sue Doggett and Wrenching TimesPoems from “Drum Taps” by Walt Whitman.

ISBN 0772760357, 59 pages, $30.00 | Ref. #7006
Elegant editions Ruari McLean catalogue

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Curated by Marie Korey of the Massey College Library, University of Toronto, this exhibition is the first extensive public presentation of the Ruari McLean Collection. Assembled by the noted British book designer and historian of printing, the McLean Collection documents the developments in colour printing, particularly in Britain, and the evolution of publisher's bookbindings, and formed the basis of his pioneering works on the subject.

ISBN 0772760144, 60 pages, $20.00 | Ref #7046
Darwin portrait

This catalogue is available exclusively from Oak Knoll Books. (Click on link to order.)
This exhibition of books and manuscripts celebrates the accomplishments of Darwin’s rare and inquisitive mind. Besides the Fisher’s own collections, several items come from the private libraries of the curator, Richard Landon, and of Toronto financier, Garrett Herman. On display are the many editions and issues of Darwin’s books that illustrate the significant textual changes made by him as his ideas developed. Important works on evolution by Darwin's predecessors, works by his scientific colleagues and many of the books resulting from the controversies surrounding the publication of Origin of Species (1859) broaden the appeal of the exhibition.

ISBN 978-0-7727-6069-2, 72 pages, $20.00 | Ref. #7053
Eric Gill catalogue

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This commemoration of Gill's life and work is drawn primarily from a private collection in Toronto formed by J. Kemp Waldie, and also contains items from the Fisher Library and the Library of the University of Waterloo. It illustrates the varied aspects of Gill's career, with special emphasis on his graphic art and book illustration. The catalogue, by Alan Horne, Richard Landon, and Guy Upjohn won a first place award from the Rare Books and Manuscripts Sections of the American Library Association, and two design awards from the National Composition and Prepress Association.

ISBN 0772760055, 54 pages, $20.00 | Ref #7047
University Library pre fire

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Curated by Harold Averill of the University Archives, this exhibition celebrates the early history of the University Library, profusely illustrated with photographs and documents. Early documents detail the founding of King's College, the Library's early homes, the devastating fire of 1890 and the building of the new Library and its collections afterwards. The catalogue won a first place award from the Rare Books and Manuscripts Sections of the American Library Association.

ISBN 0772760098, 47 pages, $10.00 | Ref. #7017
Experiencing India catalogue cover

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The variety of European encounters with the Indian subcontinent, from the sixteenth through the nineteenth centuries, was the theme of this exhibition. Two things developed in the fifteenth century that frame the start of the historical period. One was printing from movable type, introduced in Europe by Johann Gutenberg in the 1450s. The other was navigation, permitting the Portuguese Bartolomeu Diaz to sail into the Indian Ocean, around the southern tip of Africa, in 1488, and another Portuguese navigator, Vasco da Gama, to reach the shores of India in 1498, exactly five hundred years ago. The ensuing record of discovery and travel, as it unfolded, was published in early European printed books that have come to be highly prized by collectors and libraries. The Thomas Fisher Rare Book Library of the University of Toronto is fortunate to possess a representative range of materials, principally in English, from these four centuries.The exhibition and catalogue were by Professor Willard G. Oxtoby, Comparative Study of Religion, Trinity College, University of Toronto. The catalogue won an Honourable Mention award from the Rare Books and Manuscripts Sections of the American Library Association.

ISBN 077276025X , 104 pages, $20.00 | Ref #7048
extra muros catalogue cover

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Within the walls of the Thomas Fisher Rare Book Library, there are roughly 700,000 books and many large collections of literary and historical manuscripts, including the University of Toronto Archives. It is the largest and most diverse research resource of its kind in Canada. However, without those walls, but within the University of Toronto, there are a dozen other important Special Collections departments whose resources are well known to the specialist scholars who use them, but are not, perhaps, as visible to the general university community and the citizens of Toronto. This is the first time we have attempted a joint, collaborative exhibition to display in one venue a selection of the treasures throughout the whole university.

ISBN 0772760608, 126 pages, $30.00 | Ref #7037
Cover of Return of the Brute

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In June 1914, the assassination by Serbian nationalists in Sarajevo of Archduke Franz Ferdinand, heir to the throne of Austria-Hungary, triggered a series of events culminating less than five weeks later in the outbreak of the First World War. By war’s end, over fifteen million military and civilian lives had been lost, four empires destroyed, and the map of Europe redrawn. This exhibition focuses on the words and images of those who served in the Great War – individuals like Wilfred Owen, Siegfried Sassoon, and Erich Maria Remarque; but also on that of writers born decades after 1918, such as Pat Barker, Sebastian Faulks, and Joseph Boyden. These perspectives, far removed from one another in time and personal experience, illustrate the continuing importance and extraordinary influence of a war that was fought one hundred years ago.

ISBN 978-0-7727-6096-8; 126 pages, $25 | Ref. #7067
Italian woodcuts catalogue

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Exhibited for the first time outside Italy, this unique collection of fifteenth-century woodcuts, mostly of Italian origin, from the Biblioteca Classense, the library founded by the Camaldolese monks of Classe, the old sea-port for Ravenna, is composed of single-sheet incunables. They had originally been interleaved among the legal texts owned by the notary, Jacopo Rubieri and are for the most part, hand-coloured, single-sheet woodblock prints, although the collection also contains four engravings and one metcalcut. The catalogue, by Robin Healey, won a first place award from the Rare Books and Manuscripts Sections of the American Library Association.

ISBN 0772760039, 35 pages, $5.00 | Ref #4699
Aquinas to Atwood catalogue

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This exhibition celebrates gifts in Italian studies to the University of Toronto Library from 1890, when the original Library and its collections were destroyed by fire, to the present day, with the University’s collections fast approaching ten million books. Most of the books in the exhibition were printed between the fifteenth to the eighteenth centuries, and are shown with some modern books, and with manuscripts, prints, and broadsides. The exhibition and accompanying catalogue were prepared by Robin Healey, of the Collection Development Department, Robarts Research Library.

ISBN 0772760462, 155 p, $20.00 | Ref. #7014
Cavalcanti to Calvino catalogue

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From Cavalcanti to Calvino, curated by Dr. Robin Healey, is constructed from printed books, drawn from the earliest as well as the most recent works of Italian literature and of its translators, and gathered examples both from the collections of the Thomas Fisher Library and from the Robarts Research Library, celebrating the influence of Italian literature on English literature, from the Middle Ages to the present day. The exhibition was intended as a testimony not only to the builders of the Library's collections, but also as evidence of the historical and continuing importance of Italian writing to English letters, and of Italian culture to the world.

ISBN 0772760217 , 64 pages, $20.00
Adam and Eve

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Since the earliest known works of literature three-thousand years ago, the vision for a better society, an ideal society, has driven and inspired cultures to improve their social conditions. These visions were written around themes of voyage and discovery, the classical age, and medieval Christianity, that culminated in Thomas More’s Utopia in 1516. Since More’s vision of the imaginary society on the island of Utopia, writers have envisioned practical societies that transform our economic, political, technological, and cultural infrastructures taking us to uncharted lands, distant planets, and unimaginable futures that challenge and alter our society’s foundations. These utopian, and sometimes dystopian, visions show us what our society could be like and how we could achieve it, for better or for worse. This exhibition will showcase a selection of these utopian and dystopian visions ranging from Plato’s Republic and Augustine’s City of God to Francis Bacon’s New Atlantis and Daniel Defoe’s Robinson Crusoe to H. G. Wells's War of the Worlds and Margaret Atwood’s The Handmaid’s Tale. Curated by Chris J. Young.

ISBN 978-0-7727-6110-1; 95 pages, $25 | Ref. #7062
King James Bible title page

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The title of this exhibition, ‘Great and Manifold’, is drawn from the opening words of the dedicatory preface of the King James Bible of 1611, which offer hearty thanks for the succession of the Stuart King to the throne of England. As important as that event was to the life of the nation, the main concern of the translators was to remind the King that the Word was still living and active, an ‘inestimable treasure which excelleth all the riches of earth’. ‘Great and manifold’ have been the ways in which the English Scriptures have appeared for almost half a millennium now – and not only the Church, but the home, law courts, theatre, and literature are the beneficiaries. The exhibition is curated by Pearce Carefoote of the Thomas Fisher Rare Book Library.

Please view the video below (or click on this link to access it from the Fisher's YouTube channel) to learn more about this exhibit. It is narrated by the curator P.J. Carefoote.

ISBN 978-0-7727-6105-7, 148 pages, $30.00 | Ref. #7057
Hopeful travellers image

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This exhibition is about travellers, and the exhibits are for the most part accounts of their travels. There are few restrictions: the journeys will be to anywhere in the world, at any time from the thirteenth to the twentieth centuries. Some of the books and maps were published as recently as this century, others were first printed in the fifteenth and sixteenth centuries. The travellers’ tales were most often written down by the travellers themselves, or perhaps dictated to amanuenses, soon after their return. Not all are truthful, though most claim to be. One restriction is self-evident: for the journeys to have been recorded at all they must have been at least partly successful. The second restriction is more interesting: each of the explorers and cartographers is Italian, and they are all men — for the cultures of the times, even into the twentieth century, excluded Italian women from such ventures. But these were Italians who, though living at the centre of the Mediterranean region, with opportunities for trade, profit, and God’s work close by on every side, chose to cross the deserts, the oceans, and the mountains. Suffice to say that they did, and the world was changed, and they were rewarded.

ISBN 0772760616, 152 pages, $20.00 | Ref. #7039
Walcott image for catalogue

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Widely recognized as one of the finest poets working in the English language today, Derek Walcott received the 1992 Nobel Prize for Literature for his entire body of work, and specifically for his epic poem, Omeros. The Thomas Fisher Rare Book Library first acquired a significant portion of the literary papers of Derek Walcott in 1997, comprised of his poetry, plays, storyboards, drawings, sketches and prose primarily from the early 1980s to the mid-1990s. This exhibition highlights a broad selection of original archival material, from O Babylon! to Omeros, as well as other aspects of his life and work, including his painting and drawing. The exhibition and catalogue were prepared by Fisher Librarian, Jennifer Toews.

ISBN 978-0-7727-6106-4; 32 pages, $15.00 | Ref. #7058
Miller frontispiece

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Drawing on the rich printed and manuscript resources of the Fisher Library, this exhibition approaches horticultural history from the particular viewpoint of how people learn to cultivate plants – both historically and as individual gardeners today – and is divided into three main sections:

(1) learning from the written word, beginning with the teachings of antiquity and moving on through five centuries of printed knowledge as recorded in books, periodicals and now online sources

(2) learning from observing plants, in the wild, in public and private gardens and in botanical gardens and commercial nurseries

(3) learning from our own experience as gardeners, as documented in the personal records of individual gardeners in their own plant lists, diaries and garden journals, and blogs.

While the main focus is on historical material each of these sections will also make reference to modern examples, both British and Canadian, thereby demonstrating that all these modes of learning are as relevant today as they were in the past, and all have as their basis the love of plants and the universal human pleasure we take from them.

Exhibition and accompanying catalogue by Anne Dondertman, Acting Director of the Fisher Library.

ISBN 978-0-7727-6108-8; 122 pages, $25 | Ref. #7060
Bruce Rogers catalogue

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Bruce Rogers (1870-1957) designed about five hundred books between 1892 and 1957. To commemorate the fiftieth anniversary of this great artisan’s death, the Fisher Library is proud to present not only Rogers’ prized ‘Thirty’, but a selection of his other works dating from the end of the nineteenth century through to the middle of the twentieth century. Thomas Schweitzer has provided a solid foundation for the Bruce Rogers collection at the Fisher, upon which the library has built, as recently as 2007 with the addition of Rogers’ masterpiece, the great Oxford Lectern Bible of 1935. His books have been consistently praised for their simplicity of design and elegance of execution.

ISBN 0772760630, 114 pages, $30.00 | Ref. #7041
In Honour of our Friends - Robert Service

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In Honour of Our Friends is an exhibition celebrating four years of gifts to the Thomas Fisher Rare Book Library, organized around a number of themes and subject areas, reflecting some outstanding new collections which have been recently established, as well as highlighting gifts which build on the Library's already established strengths in various disciplines. The chosen themes are: Hebraica (a new area of strength for this Library); Early Printed Books; Arts of the Book; the History of Science and Medicine; Exploration and Travel; English and American Literature (showing examples from several new author collections); and Canadiana. Included, among many other treasures, are: a fragment of the Mishnah written sometime from the ninth to the eleventh century; because the colophon is damaged the date cannot be accurately deciphered; an unsigned letter that could be in the hand of Galileo, written in 1633 while he was awaiting trial on a charge of heresy; and a proof copy of Robert Service's Songs of a Sourdough (1907).

ISBN 0772760306, 72 pages, $10.00 | Ref. #7027
Asia Extrema, Stanton exhibition catalogue

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Ralph Stanton was a professor of mathematics at several Canadian universities. He was also an avid book collector, and without question he has been the single most prolific donor to the Fisher Library. Beginning with his first donation, a two-volume set of the 1587 edition of Holinshed's Chronicles in 1986, hundreds of volumes have been arriving annually from Winnipeg right up to the time of his passing in 2010.  His collection of French literature, particularly seventeenth- and eighteenth-century drama, is especially strong, and the Fisher now boasts comprehensive collections of most of the significant French playwrights of the Classical period. Professor Stanton has also donated a number of incunables and early printed books, many of which were exhibited. This exhibit was curated by Philip Oldfield, Pearce Carefoote and Luba Frastacky.

ISBN 978-0-7727-6107-1; 48 pages, $12 | Ref #7059
Wilcox binding

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Michael Wilcox is a master bookbinder who began his career in the English trade bindery in 1955. Now an internationally renowned binder whose works are found in many North American libraries, he has selected the twenty-two bindings that are currently on display in the Fisher Library. In the words of Richard Landon, director of the Fisher Library, the exhibition demonstrates "the marriage of inspired art with impeccable craftsmanship". The Library has brought together examples from its own collections and from many other North American libraries, including the National Library of Canada, Bridwell Library, Southern Methodist University, the Lilly Library, the Grolier Club and a number of private collections, including the binder's own.

ISBN 0772760284, 70 pages, $30.00 | Ref #7006
J.B. Tyrrell in artic dress

Digitized material from the Tyrrell Collection/Order Catalogue
This exhibition celebrates the hundredth anniversary of the amazing expedition across the Barren Lands of J. B. Tyrrell, geologist, engineer, businessman, palaeontologist, and historian and his small group of fellow explorers for the Geological Survey of Canada. Tyrrell joined the Geological Survey in 1881, going on his first field survey to the Rocky Mountains, with George Mercer Dawson in 1883. He discovered dinosaur remains in Alberta, explored Manitoba from 1887 to 1891. Lake Athabasca and then the Canadian North, in several trips to the Barren Lands in 1893 and 1894. The materials on display were selected by Katharine Martyn, curator of the exhibition, from the huge collection of papers and other materials Tyrrell left as a bequest to the University of Toronto Library.

ISBN 077276011X, 72 pages, $10.00 | Ref. #7019
Chinese exhibit

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This exhibition highlighted the Eternal City as a prime destination for travellers. For centuries, Rome has attracted visitors from all walks of life ranging from religious pilgrims and young men taking the Grand Tour to architects, exiles and poets. The city's richness and continual self-renewal have ensured that Rome takes on new features for each generation of visitors. This is evident in the varied selection of material on display which included early pilgrimage guides from the sixteenth century, travel accounts and phrase-books published in the seventeenth and eighteenth centuries, and view books and publishers' guides from the nineteenth and early twentieth centuries. The exhibition and accompanying catalogue were prepared by guest curator Amy Marshall of the Art Gallery of Ontario.

ISBN 978-0-7727-6082-1; 112 pages, $20.00 | Ref. #7055
Literary forgeries

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Produced to celebrate and honour the Rare Books and Manuscripts Section Pre-Conference held in Toronto 17 to 20 June 2003, on the theme "TRUE/FALSE: Facsimiles, Fakes, Forgeries, and Issues of Authenticity in Special Collections" the exhibition covers various aspects of literary forgery (and one 'real' forgery) from Richard Bentley and the Epistles of Phalaris to the inventions of Thomas J. Wise and Harry Buxton Forman.The exhibition and accompanying catalogue were prepared by Richard Landon.

ISBN 0772760284, 79 pages, $20.00 | Ref. #7013
Image of cover of Maximum Imaginateveness catalogue

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The Thomas Fisher Rare Book Library holds some of the finest examples of modern Czech book design and illustration. This exhibition featured a display of books and journals published from the turn of the nineteenth century to the late 1940s, with examples ranging from the book beautiful (bibliophile) movement whose aesthetic principles were advanced by graphic artists Zdenka Braunerová, Vojtěch Preissig, František Kupka, and František Kobliha, to works by avant-garde artists and writers centered around the literary association Devětsil, including Karel Teige, Vítězslav Nezval, Jaroslav Seifert, and Toyen. Also covered are the various movements associated with this period, such as Symbolism, Decadence, Cubism, Constructivism, Poetism, and Surrealism. The exhibition focused on the development of book design in twentieth-century Czechoslovakia, primarily in Prague, and illustrated the developments in machine type, graphic design, book covers and binding, photomontage, and collage.

The exhibition, curated by Ksenya Kiebuzinski, Head, Petro Jacyk Central & East European Resource Centre, ran from Sept. 28 to Dec. 18, 2015.

ISBN: 978-0-7727-6116-3 (paperback) | 120 pages | $25.00 | Ref. 7072
mirabilia exhibit image

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This exhibition highlighted the Eternal City as a prime destination for travellers. For centuries, Rome has attracted visitors from all walks of life ranging from religious pilgrims and young men taking the Grand Tour to architects, exiles and poets. The city's richness and continual self-renewal have ensured that Rome takes on new features for each generation of visitors. This is evident in the varied selection of material on display which included early pilgrimage guides from the sixteenth century, travel accounts and phrase-books published in the seventeenth and eighteenth centuries, and view books and publishers' guides from the nineteenth and early twentieth centuries. The exhibition and accompanying catalogue were prepared by guest curator Amy Marshall of the Art Gallery of Ontario.

ISBN 077276039X, 103 pages, $20.00 | Ref. #7004
Hardy exhibition poster

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Thomas Hardy (1840-1928) is one of the few writers to have achieved equal distinction as both a novelist and a poet. He established his reputation in the Victorian period with such iconic novels as Far from the Madding CrowdThe Mayor of Casterbridge and Tess of the d’Urbervilles, set in the semi-fictional world of “Wessex.” In 1897, embittered by critics who branded his last two novels “distasteful” and “obscene,” Hardy abandoned prose and devoted the remaining thirty years of his life to writing poetry.  By the time of his death, he was not only the last of the great Victorian novelists but had also become one of England's most important and influential modern poets.

Drawing on the magnificent collection donated to the Fisher Library by the pre-eminent Hardy scholar and University of Toronto Professor Emeritus, Michael Millgate, this exhibition will include first editions, correspondence, manuscripts, photographs and ephemera illustrating Hardy’s professional and personal life.

ISBN 978-0-7727-6120-0 (paperback) | 94 pages | $20.00 | Ref #: 7074
Book burning, Nihil Obstat

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This exhibition of banned, censored, and challenged books places censorship in the West within the historical context of the last five hundred years. Essentially it asks visitors to imagine what their world would look like today if these texts had been successfully suppressed by legitimate authorities. The books on display fall into six basic categories: religion, science, philosophy, politics, literature, and works either by Canadians, or challenged by the Canadian government. The exhibition and accompanying catalogue were prepared by Pearce Carefoote, of the Fisher Library, The illustrated catalogue includes prefaces written by Alberto Manguel and Richard Landon, Director of the Library and was designed by Stan Bevington, and printed by Coach House Press.

ISBN 0772760519, 112 pages, $20.00 | Ref. #7031
Now Magazine exhibit

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This exhibition highlights the original photographic images used in the pages of NOW Magazine, and currently housed in the NOW Magazine Collection in Media Commons, University of Toronto Library. Focussing on the decade of the 1980s, the array of images revisits some of the more striking, humorous, insightful, aesthetically appealing and historically important moments in the fields of popular music, art, theatre, cinema, fashion, politics and protest.

ISBN 0772760500, 80 pages, $20.00 | Ref. #7030
Philosophy & Bibliophily catalogue

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This exhibition introduces the philosophy collection of Michael and Virginia Walsh, their gift to the University of Toronto Library. The books on display were printed between the fifteenth and the twentieth centuries, and are shown with numerous artworks on loan from the Walsh family. The collection itself covers the broad scope of philosophical pursuits, from the Platonists to the Scholastics, the Cartesians, Humanists, Logical Positivists, to the Empiricists of the twentieth century. The exhibition and accompanying catalogue were prepared by Michael Walsh.

ISBN 0-7727-6047-0, 128 pages, $20.00 | Ref. #7028
Dickens catalogue

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Mounted in recognition of the one hundred and fiftieth anniversary of Charles Dickens' visit to Canada, the exhibition illustrates items from the collection of the Toronto bibliophile, Dan Calinescu. Profusely illustrated, the catalogue, by Dan Calinescu and Richard Landon, contains chapters on "Dickens and America", "Dickens and his Publishers", "Dickens and his Illustrators", and examinations of his major and minor works.

ISBN 0772760101, 69 pages, $15.00 | Ref. #7018
Dutch sea atlases exhibit

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Plotting the Oceans: Dutch Sea Atlases of the Seventeenth Century features a selection of hand-coloured sea charts from the golden age of Dutch cartography - the Fisher Library copies of the 1666 sea atlas of Hendrik Doncker and the 1686 atlas of Jacobus Robijn. The exhibition, by Anne Dondertman, begins with a brief look at the Mediterranean manuscript chart tradition and gives an overview of the evolution of navigational charts, placing the Dutch chart trade in the context of the age of discovery and exploration. The exhibition then continues with examples from the Doncker and Robijn atlases, often showing charts of the same area from the two atlases side by side in order to compare and contrast their portrayal of the area, as well as to point out relevant facts of their publishing history.

ISBN 0772760330, 16 pages, $5.00 | Ref. #7001
Ephemera catalogue

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This exhibition demonstrated the pervasiveness of print within the culture of everyday life from the nineteenth century to the present. On display were a great variety of examples of printed ephemera, from early forms such as the broadside proclamation and broadside ballad, to the trade cards, invitations, programs, postcards, business forms, stationery, guidebooks, posters and printed advertisements of the recent past.

ISBN 0772760101, 20 pages, $5.00 | Ref. #7005
Arthur Lismer caricature

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This exhibition reveals a hidden archival treasure – a collection of nearly 200 caricatures created by the renowned Canadian painter and Group of Seven artist, Arthur Lismer. The artworks were executed by Lismer primarily while spending time with his friends at The Arts & Letters Club of Toronto during the period 1922-1943. They document an especially vital period in Canada’s cultural history, when the club was a favourite meeting place for members of the artistic community. The club maintains sixty-three of these works in its archives, while the balance can be found in the first two volumes of the Club Scrapbook, which is on deposit at the Fisher.

ISBN 0772760594, 22 pages, $6.00 | Ref. #7036